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Mike D'Angelo

Story Archive

  • Film

    Wednesday, Aug. 11, 2010

    Give it up, guys. Your '80s action hero days are over.

  • Film

    Wednesday, Aug. 4, 2010

    The film serves as a bitterly hilarious illustration of the way radical and subversive concepts get appropriated by the talentless and watered down for mass consumption

  • Film

    Wednesday, July 28, 2010

    At first glance, Winter’s Bone, looks like more of the same. Against all odds, however, this turns out to be the most electrifying movie of the year.

  • Entertainment

    Wednesday, July 28, 2010

    You might imagine a movie about legalized prostitution would at least hold your attention. But there’s a reason director Taylor Hackford (Ray) has the word “hack” in his surname.

  • Entertainment

    Wednesday, July 21, 2010

    Every character in this Sundance hit, regardless of sexual orientation, proves to be believably, entertainingly flawed

  • Film

    Wednesday, July 7, 2010

    This could be either a broad mainstream comedy or a subtle indie character study. As executed by the Duplass brothers, it’s essentially both at once.

  • Film

    Wednesday, June 30, 2010

    Michael Caine is provided with his finest showcase in years, affording him multiple opportunities to wrap that silky-steel voice around barely veiled threats and mock-sorrowful farewells.

  • Film

    Wednesday, June 23, 2010

    Few things in life are more pathetic than the aging privileged male who bumps up against irrefutable evidence of his own mortality and instantly turns into a destructive, carpe-diem a-hole.

  • Film

    Wednesday, June 16, 2010

    Toy Story 3 isn’t the instant classic that its predecessors were, and doesn’t achieve the envelope-pushing creative heights of WALL-E’s wordless first act.

  • Film

    Wednesday, June 2, 2010

    Meet a baby with a tail ending in a giant stinger.

  • Film

    Wednesday, May 26, 2010

    Even before it began, the 63rd Festival de Cannes was widely considered a failure.

  • Film

    Wednesday, May 12, 2010

    Starring Russell Crowe, the latest "Robin Hood" is all fury, no fun.

  • Film

    Wednesday, April 21, 2010

    It’s a mystery to me why the generic Hollywood action movie hasn’t yet followed the example of the generic porn flick.

  • Film

    Wednesday, April 14, 2010

    Exposed skin, Eastern mysticism and an angry feminist tract? All of the above.

  • Film

    Wednesday, April 7, 2010

    Looking to spice up their dull marriage, Phil and Claire Foster depart boring old New Jersey for a night on the town in Manhattan, only to get way more excitement than they bargained for.

  • Film

    Wednesday, March 31, 2010

    It’s so rare these days to see a movie demonstrate simple, quiet proficiency that critics can sometimes respond to that quality with a little too much gratitude.

  • Film

    Wednesday, March 24, 2010

    Greenberg’s unlikable protagonist overwhelms its insights.

  • Film

    Wednesday, March 10, 2010

    Green Zone tediously rehashes critiques of the war in Iraq

  • Film

    Wednesday, March 10, 2010

    No wonder Oscar approves.

  • Film

    Wednesday, Feb. 17, 2010

    A virtually un-buzzed film gets two Oscar nods, and for good reason.

  • Film

    Wednesday, Feb. 17, 2010

    The Departed may be the better movie overall, but Shutter Island, prioritizing mood and imagery over everything else, makes for superior cinema.

  • Film

    Wednesday, Feb. 3, 2010

    John Travolta is not meant to be bald.

  • Reviews

    Wednesday, Jan. 27, 2010

    Jeff Bridges shows off in the predictable but entertaining Crazy Heart

  • Film

    Wednesday, Jan. 27, 2010

    It feel a bit like Ransom, except that in this case Mel Gibson's child is already dead, so he’s even meaner and more implacable.

  • Film

    Wednesday, Jan. 13, 2010

    This is yet another tiresomely reflexive film about filmmaking, moving back and forth between present-day Madrid, where a blind writer-director wrestles with footage of a movie he shot.

  • Film

    Wednesday, Jan. 13, 2010

    The movie spends an inordinate amount of time with Susie in her personal heaven, which usually resembles the preposterously idyllic landscapes that pharmaceutical ads employ to distract you.

  • Reviews

    Wednesday, Dec. 16, 2009

    The glib Up in the Air is entertaining but insignificant.

  • Reviews

    Wednesday, Dec. 16, 2009

    Presented with a movie called Me and Orson Welles, one can’t help but immediately wonder who “me” might be.

  • Film

    Wednesday, Dec. 9, 2009

    Clint Eastwood's film does almost nothing but congratulate itself for two solid hours.

  • Reviews

    Wednesday, Dec. 2, 2009

    You’ll probably feel like you’ve seen this remake before, even if you haven’t.

  • Film

    Tuesday, Nov. 24, 2009

    Wes Anderson makes a very Wes Anderson-y animated film.

  • Reviews

    Wednesday, Nov. 18, 2009

    Poor black teens. Neglect. AIDS. Rape. Down syndrome. Give this film an Oscar already!

  • Reviews

    Wednesday, Nov. 11, 2009

    David has a wee secret, and if you can't figure it out, you badly need an education of your own.

  • Film

    Wednesday, Nov. 4, 2009

    The story of an elite unit of soldiers armed with psychic powers was plenty nutty on its own—playing it for broad laughs in "The Men Who Stared at Goats" only renders it surprisingly toothless.

  • Film

    Wednesday, Oct. 21, 2009

    If you’re looking to be entertained, forget The Cove.

  • Reviews

    Wednesday, Oct. 21, 2009

    Amelia Earhart was a woman in a male-dominated field, and Amelia beats that fact into the ground until it coughs up blood.

  • Screen

    Wednesday, Oct. 14, 2009

    The 1987’s low-budget sleeper The Stepfather has long been championed as an uncommonly intelligent thriller, though it’d really be more accurate to call it primo schlock.

  • Reviews

    Wednesday, Oct. 14, 2009

    Spike Jonze turns a children’s classic into a twee indie-rock lyric.

  • Film

    Wednesday, Sept. 30, 2009

    Here’s the deal: Either you’re the kind of person who’s going to get excited by a movie about the chaste romance between 19th-century poet John Keats and the love of his life, Fanny Brawne, or you’re not. If you are, keep reading.

  • Screen

    Wednesday, Sept. 30, 2009

    If there are two people I never want to see in a motion picture again, they are Michael Moore and some poor, low-paid security guard who is just trying to do his/her goddamn job.

  • Film

    Thursday, Sept. 17, 2009

    Long unavailable on home video, David Mamet’s 1991 film Homicide remains the most weirdly personal work he’s written directly for the screen, and still ranks among his finest.

  • Film

    Thursday, Sept. 17, 2009

    Steven Soderbergh transforms corporate malfeasance into zany comedy with The Informant!

  • Film

    Thursday, Sept. 3, 2009

    Easily one of the best films to be released this year—albeit not in Las Vegas—Julia finds perpetually cool Oscar-winner Tilda Swinton (Michael Clayton) taking a flamethrower to her image.

  • Film

    Thursday, Aug. 27, 2009

    It was inevitable, I suppose, that Ang Lee would eventually get around to the historical docudrama—or, as I’ve recently dubbed that generally useless collection of bullet-point factoids, the Wiki-movie. Enter Taking Woodstock.

  • Film

    Thursday, Aug. 20, 2009

    Chang Cheh’s The 5 Deadly Venoms (1978) boasted a concept so memorable that it was even parodied in the animated Kung Fu Panda.

  • Film

    Thursday, Aug. 20, 2009

    While Tarantino spent the better part of a decade describing this project as his version of The Dirty Dozen or The Guns of Navarone—a badass, action-heavy, dudes-on-a-mission war flick - he’s actually made ... well, a Tarantino movie.

  • Film

    Thursday, Aug. 13, 2009

    Structured as a fake documentary, a city-sized spacecraft mysteriously stalled 20 years ago Its starving, frightened occupants, who resemble huge bipedal prawns, were evacuated by humanity and given what was meant to be temporary shelter in a hastily constructed shantytown.

  • Film

    Thursday, Aug. 6, 2009

    Francis Ford Coppola capitalizes on his freedom to indulge himself with Tetro

  • Film

    Thursday, Aug. 6, 2009

    Few films have depicted the descent into madness with as much sheer nightmarish brio as Roman Polanski’s 1965 Repulsion.

  • Film

    Thursday, July 30, 2009

    Funny People finds longtime pal Judd Apatow teasing us with the notion of the “real” Adam Sandler. It’s a commendably dark portrait in many ways, but even in the guise of an unregenerate asshole, Sandler gives the camera absolutely nothing. He’s a contemptuous void.